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AGJ_Bitacora_01.jpg
Photo of Ana’s corkboard with pinned images and notes in Spanish and English. The frame centers: a question on a red paper reads: “What is the alteration—and how does it work—in each of the aspects?”; a yellow sticky note with a handwritten note: “Thinking rupture as a medium of access. The focus is on what is there, on the other side, not on the known here”; a hand-drawn diagram of the proyect Sensory Disturbances with it’s three parts: organic body, social body and [crip] aesthetics, mediated by access.
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AGJ_Bitacora_02.jpg
Photo of Ana’s corkboard with pinned images and notes in Spanish. On the left there are two pink sticky notes with quotes from Michel Foucault’s The Birth of the Clinic. On the right there is a black and white photo of a neuron cell.
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AGJ_Bitacora_03.jpg
Photo of Ana’s corkboard with pinned diagrams of the nervous system showing the reflex arc and the process of perception and response to sensory stimuli. Next to the three diagrams there is a yellow sticky note with a handwritten note titled “touch” and arrow towards the words: impaired, able-bodied, figures of speech (metaphors), body language (semiotics of), communication.
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AGJ_Bitacora_04.jpg
Photo of Ana’s corkboard with pinned images and notes and images. On the top there is an image of Athanasius Kircher’s Underground World that depicts a hilly landscape with underground caves and connecting passages. On the bottom there’s a quote of Luisina Castelli Rodríguez’s article “Describing bodies. Between the diagnostic gazeand ethnographic writing” about crip disputes of language and meaning.